Please use this searchable database to view abstract information from our 53rd Annual Symposium in 2024

Displaying 1 – 25 of 274

Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type
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Integrative Training and the Essential Role of Cross-Disciplinary Discussion

JoanMeltonVoice PedagogyWorkshop
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The Italian Style: “Vibrato,” Vowel and Consonant Pronunciation, and “Voce Piena” in Contemporary Pop Repertoire
Technique and Artistic Interpretation of a Song through PROEL Method Exercises

IreneMezzacapoVoice PedagogyWorkshop
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But I don’t sound like that! Exploring accent and developing the artist Contemporary Commercial Music (CCM).

DaleCoxVoice PedagogyWorkshop
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What is your position? Identifying systemic structural forces in the playing field of Voice Pedagogy

DaleCoxVoice PedagogyOral
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Singing Voice Therapy: A Muscle-Specific Approach

IlterDenizogluVoice PedagogyWorkshop
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Demographic Content Analysis of Musical Theatre Anthologies

PaulPatinkaVoice PedagogyOral
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Analysis of Vocal Methods Course Content in Undergraduate Music Education Degree Curricula

PaulPatinkaVoice PedagogyOral
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Academic Degrees Achieved by Collegiate Singing Voice Faculty in US Higher Education

PaulPatinkaVoice PedagogyPoster
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Bridging Legit and Belt and Techniques for Music Theater Treble Voices

EreniSevasti-RosenthalVoice PedagogyWorkshop
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Technical and Artistic Adjustments: A Double-Swinging Doorway

DavidSiscoVoice PedagogyWorkshop
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The Effect of a Singing-based Voice Therapy Program for Older Adults with Aging Voice Problems

Crystal Wing-namYuenVoice PedagogyOral
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How Is Voice Related to Speech Intelligibility? A Systematic Review

ShaohuaGaoVoice PedagogyOral
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Working with Ogres, Trolls, Orcs and Other Related Monsters

M. EugeniaCastroVoice PedagogyWorkshop
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Goal Setting for the Singing Voice Specialist: A Practical Framework for Working with Singers

RachelGoldenbergVoice PedagogyWorkshop
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Effective Tools and Strategies for Musical Theater Registration Cultivation in Cis-Female Voices through Neutral, Binary, and Flexible Voice Models

KevinWilsonVoice PedagogyWorkshop
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Legato Then and Now, Vibrato Edition: A close-up of what happens between the pitches in the classical bel canto tradition

RachelleJonckVoice PedagogyWorkshop
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AN ETHNOGRAPHIC CASE STUDY OF MUSIC THEATRE RECRUITMENT

MeganRichardsVoice PedagogyOral
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Voice Therapy Pedagogy: Harnessing the Power of Simulation and Standardized Patients

MahdiTahamtanVoice PedagogyOral
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Twenty-First Century Teaching – Moving Away from “Classical” Foundations

JeanieLoVetriVoice PedagogyWorkshop
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Authentic Voicework™: Yoga of the Voice

StephanieHeidemannVoice PedagogyWorkshop
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Improving Auditory-Perceptual Assessment of Timbres: Testing Four Deconstructed Timbre Assessment Models

MathiasAaenVoice PedagogyOral
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The Use of Rough Vocal Effects in Singing – The Science, Sounds, and Practice of Singing Distortions, Grunts, Growls, Screams, and Many Others in a Healthy Manner

CathrineSadolinVoice PedagogyWorkshop
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Investigating the role of spoken language on the perceptual evaluation results based on the GRBAS scale-A primary study

ShamimHosseinifarVoice PedagogyPoster
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Closing the Gap: Creaky Voice Exercises to Improve Adduction

LoriSonnenbergVoice PedagogyWorkshop
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Analysis of Voice Changes After and Before Thyroidectomy Using Objective Voice Tool and Thyroidectomy Related Voice and Symptom Questionnaire (TVSQ)

TruptiBaralVoice PedagogyOral
Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type