Please use this searchable database to view abstract information from our 53rd Annual Symposium in 2024

Displaying 201 – 225 of 274

Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type
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Words Production and Tone Production in High Range Voices, a Separate Functions Training. How to Train Them Separately.

LuciaCossuVoice PedagogyWorkshop
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Eccentric, Concentric, not Isometric Bodyworks and Vocalisation into the Voice Studio. When Training Differs from Singing.

LuciaCossuVoice PedagogyWorkshop
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But I don’t sound like that! Exploring accent and developing the artist Contemporary Commercial Music (CCM).

DaleCoxVoice PedagogyWorkshop
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What is your position? Identifying systemic structural forces in the playing field of Voice Pedagogy

DaleCoxVoice PedagogyOral
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Conceptual Metaphors about the Voice in Teacher-Student Interaction during Lyrical Singing Class

JaimeCrisosto-AlarcónVoice PedagogyOral
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How to Teach the Black American Vocal Music Aesthetic to Create Culturally Authentic Singers

AlisonCrockettVoice PedagogyWorkshop
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A Study of Ear Dominance and its Effects on Vocal Intonation, Amplitude, and Tone

LynneCuneoVoice PedagogyOral
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Singing Voice Therapy: A Muscle-Specific Approach

IlterDenizogluVoice PedagogyWorkshop
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The Effects of a Breath Exhalation Regulation Routine in Collegiate Singers

ZacharyDevinVoice PedagogyOral
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Air pressure, airflow, and glottographic measures during a raspberry SOVT exercise.

SophiaDoveVoice PedagogyOral
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Cultural Responsivity in the Vocal Studio

MarianaElosúa SernaVoice PedagogyOral
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Creating ‘my own version’ of a CCM song workshop: how to teach/add vocal technique with the Singing Performance Chart ™

GalaFernandez-FresardVoice PedagogyWorkshop
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What are voice intervention strategies? A theoretical framework about the delivery methods used in voice intervention.

ArturoFloresVoice PedagogyPoster
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Demystifying Brazilian Portuguese Lyric Diction: the Sounds of the Language and the Main Pitfalls for Non-native Singers

JulianaFrancoVoice PedagogyWorkshop
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How Is Voice Related to Speech Intelligibility? A Systematic Review

ShaohuaGaoVoice PedagogyOral
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Vowel-Specific Tongue Adjustments in the Register Transition of Female Operatic Singers

BryanGickVoice PedagogyOral
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Examining the Effects of Mentorship in the Applied Voice Studio from the Intersectionality of Mentor, Mentee, and Singing Student Participants

JeanneGoffi-FynnVoice PedagogyOral
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Re-Imagining the Vocal Ensemble:
Differentiated Strategies in a “Triple Treat” Approach to Learning:
Promoting Student Agency via Vocal Development and Musical Exploration

JeanneGoffi-FynnVoice PedagogyWorkshop
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Goal Setting for the Singing Voice Specialist: A Practical Framework for Working with Singers

RachelGoldenbergVoice PedagogyWorkshop
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Intentional Distorted Voice Techniques: a challenge for the concept of Vocal Registers

Rubens CostaGüthsVoice PedagogyPoster
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Measuring the Differences Between Opera and Musical Theatre Styles Through Spectral Moment Analysis

Violet JoyHansenVoice PedagogyOral
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Authentic Voicework™: Yoga of the Voice

StephanieHeidemannVoice PedagogyWorkshop
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M1, M2 And Scream!

NicolasHormazabalVoice PedagogyWorkshop
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Investigating the role of spoken language on the perceptual evaluation results based on the GRBAS scale-A primary study

ShamimHosseinifarVoice PedagogyPoster
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Acoustic and Prosodic Features in Quran Recitation with a Focus on the Recitation by Master Abdulbasit

ShamimHosseinifarVoice PedagogyPoster
Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type