Please use this searchable database to view abstract information from our 53rd Annual Symposium in 2024

Displaying 251 – 274 of 274

Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type
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Lamperti’s Idea Of Pelvic Control Of The Breath As It Relates to Classical And Contemporary Musical Styles

NeilSemerVoice PedagogyWorkshop
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Bridging Legit and Belt and Techniques for Music Theater Treble Voices

EreniSevasti-RosenthalVoice PedagogyWorkshop
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Technical and Artistic Adjustments: A Double-Swinging Doorway

DavidSiscoVoice PedagogyWorkshop
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Closing the Gap: Creaky Voice Exercises to Improve Adduction

LoriSonnenbergVoice PedagogyWorkshop
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Prevalence of Hypermobility Among Singers: A Pilot Study

MairinSrygleyVoice PedagogyOral
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Impact of Cell Phone Pick-Ups on Memorization in Singing

MercedStrattonVoice PedagogyOral
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Recognizing the Invisible: Singing with Postural Orthostatic Tachycardia Syndrome

MaritaStrykerVoice PedagogyOral
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Enhancing the Phonatory System through “Sensory Bombardment” of Receptors.

RuthSuarezVoice PedagogyWorkshop
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Examining the Effects of Virtual Reality Room Size on Singers’ Vocal Behavior

RuthSuarezVoice PedagogyOral
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Voice Therapy Pedagogy: Harnessing the Power of Simulation and Standardized Patients

MahdiTahamtanVoice PedagogyOral
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Understanding the Vocal Health Awareness and the Role of Speech-Language Pathologists in Undergraduate Vocal Performers: A Pilot Survey

NizarTejaniVoice PedagogyOral
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Comparing Pitch-Matched Classical and CCM Tenor Strategies Across Their Range using Laryngostroboscopic Imaging, Acoustics, and EGG

MarkTempestaVoice PedagogyOral
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Yoga and Voice: A Somatic-Cognitive Learning Approach

KennethTomVoice PedagogyWorkshop
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VoiceVoSi: A Rapid, Efficient, and Practical Approach to Unleash Full Vocal Potential in Singing, Speaking, and Ventriloquism

ThomTuducVoice PedagogyOral
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Increased Respiratory Drive In Sustained Ventricular Vocal Fold Phonation

GeddyWarnerVoice PedagogyOral
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Training Expressive Singing In Musical Theatre and Commercial Music

EdrieWeeklyVoice PedagogyWorkshop
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Embodying The Core Voice Connection

SarahWhittenVoice PedagogyWorkshop
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What Do My Feet Have to Do With My Jaw? Improving Habits of Stance and Alignment to Facilitate Jaw Release

RuthWilliams HennessyVoice PedagogyWorkshop
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The Benefits of Multigenre Teaching to Adolescent Singers

LisaWillson DeNolfoVoice PedagogyWorkshop
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Effective Tools and Strategies for Musical Theater Registration Cultivation in Cis-Female Voices through Neutral, Binary, and Flexible Voice Models

KevinWilsonVoice PedagogyWorkshop
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Comparing Intonation and Harmonic to Noise Ratio (HNR) Using Different Arm Movements with Adolescent Estrogen Producing Singers

MadelineYankellVoice PedagogyPoster
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The Effect of a Singing-based Voice Therapy Program for Older Adults with Aging Voice Problems

Crystal Wing-namYuenVoice PedagogyOral
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Quantifying Talk-Time in Singing Instruction: Evaluation of an Automated Method

ShanshanZhangVoice PedagogyOral
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Connection between fear of speaking, feeling “lump” in the throat during speaking process and emotional trauma/ memory ( associated with dominant figure from the past such as parent/teacher/partner)

VeronikaZnamenskayaVoice PedagogyWorkshop
Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type