From a vocal function standpoint, there is immense value in training the various parts of the voice to function independently. Typically, certain components of the voice will function together in a predictable manner, due to natural tendencies of the instrument. Working against these natural tendencies can increase overall strength and flexibility, thereby improving efficiency. The objective of this workshop is to help participants to become adept at separating four predictable vocal pairs.

1) Jaw and Tongue. During speech, the jaw and tongue move together to create vowels and consonants. If the tongue can learn to function independently of the jaw, overall jaw/tongue tension is generally reduced and the instrument may become more efficient. Participants will learn methods to separate jaw and tongue movement through exercises that cultivate a relaxed jaw and an active tongue.

2) Larynx and Vocal Folds. Typically, when the larynx raises, vocal fold adduction increases and when the larynx lowers, vocal fold adduction decreases. It is useful to isolate the movement of the larynx from vocal fold adduction so that various vocal styles can be achieved. Participants will learn how to perform a higher larynx position while abducting the folds and a lower larynx position while adducting the folds.

3) Larynx and Tongue. Typically, vowels with lower tongue positions yield lower larynx positions and high tongue vowels cause the larynx to raise. However, it is highly valuable to be able to do the opposite. Participants will learn how to execute high tongue vowels with a lower larynx position, helping to separate the habitual function of the larynx and tongue.

4) Larynx and Soft Palate. Many singers pair a high larynx position with nasal resonance, leading to an ubiquitous confusion between true nasal resonance and brightness. It is important to learn that the soft palate can be lowered in any laryngeal position. Participants will learn how to execute different larynx positions with both a raised soft palate and a lowered soft palate.

At the end of the workshop, participants should feel comfortable executing counterintuitive vocal postures that may aid them achieve more vocal mastery.