From a vocal function standpoint, there is immense value in training the various parts of the voice to function independently. Typically, certain parts of the voice will function together in a predictable manner, due to natural tendencies of the instrument. Working against these natural tendencies can increase overall strength and flexibility, thereby improving efficiency. The objective of this workshop is to help participants to become adept at separating predictable vocal pairs.

1) Jaw and Tongue.
During speech, the jaw and tongue move together to create vowels and consonants. If the tongue can learn to function independently of the jaw, overall jaw/tongue tension is generally reduced and the instrument may become more efficient. Participants will learn methods to separate jaw and tongue movement through exercises that cultivate a relaxed jaw and an active tongue.

2) Tongue and Larynx.
Because the tongue lays directly above the larynx, the two structures are inherently connected. However, developing greater independence between them enhances vocal freedom. Coordinating an active tongue hump with a relaxed tongue root will be explored. Participants will learn to produce vowels independently of laryngeal movement, promoting greater vocal efficiency and ease.

2) Larynx and Soft Palate.
Many singers pair a high larynx position with nasal resonance, leading to an ubiquitous confusion between true nasal resonance and brightness. It is important to learn that the soft palate can be lowered in any laryngeal position. Participants will learn how to execute different larynx positions with both a raised soft palate and a lowered soft palate.

At the end of the workshop, participants should feel comfortable executing counterintuitive vocal postures that may aid them achieve more vocal mastery.