General musculoskeletal system is a partially recognised actor in voice production, my research and practice is focused on pioneering its mechanistic direct role into voice quality and voice production. Many body practices are used and associated to voice production, with unequivocal benefits, still they are not organic and specific of direct voice translation or mechanistic rationale.
In here some of my pivotal exercises with regressive/progression strategies, how to implement them with vocalisations, what to expect with different contexts – styles, level, ages-, a bit of the biomechanical logics making unilateral exercises unique and finding solutions that bilateral exercises cannot provide. The joint by joint approach will clarify how mobile joints have different effect on stable segments that commonly thought, and how to take advantage of them in voice. In all my work they have shown direct translation in artistic voice development, voice physiology restoration and refractory training/treatment cases. Some will recognise historical or yet used exercises, but the interest and innovation in here is the context and model so that the when why how of them becomes much more clear. It is a part of he practical side of this effort of opening the field of the general musculoskeletal system contributions in voice production as part of the voice model, at now at 12 presentations as unique author at TVF 52 & 53 Symposiums and PEVoC 14 & 15 of the last 24 months.