Please use this searchable database to view abstract information from our 53rd Annual Symposium in 2024

Displaying 251 – 274 of 274

Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type
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Quantifying Talk-Time in Singing Instruction: Evaluation of an Automated Method

ShanshanZhangVoice PedagogyOral
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Air pressure, airflow, and glottographic measures during a raspberry SOVT exercise.

SophiaDoveVoice PedagogyOral
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Pure Sound vs. Rough Sensation: Sorting the sensations of the sung tone

ChadleyBallantyneVoice PedagogyWorkshop
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The Effect of Adduction, Pitch, Loudness, and Straight Tone on Fundamental Frequency and Airflow Vibrato

BrookeHowellVoice PedagogyOral
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Connection between fear of speaking, feeling “lump” in the throat during speaking process and emotional trauma/ memory ( associated with dominant figure from the past such as parent/teacher/partner)

VeronikaZnamenskayaVoice PedagogyWorkshop
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Interprofessional Voice Labs to Develop an Actor-Centered Voice Intervention Model: Comparing Two Student Cohorts of Speech-Language Pathology and Acting

SriNandamudiVoice PedagogyOral
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What Do My Feet Have to Do With My Jaw? Improving Habits of Stance and Alignment to Facilitate Jaw Release

RuthWilliams HennessyVoice PedagogyWorkshop
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What are voice intervention strategies? A theoretical framework about the delivery methods used in voice intervention.

ArturoFloresVoice PedagogyPoster
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Examining the Effects of Mentorship in the Applied Voice Studio from the Intersectionality of Mentor, Mentee, and Singing Student Participants

JeanneGoffi-FynnVoice PedagogyOral
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Re-Imagining the Vocal Ensemble:
Differentiated Strategies in a “Triple Treat” Approach to Learning:
Promoting Student Agency via Vocal Development and Musical Exploration

JeanneGoffi-FynnVoice PedagogyWorkshop
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Examining the Effects of Virtual Reality Room Size on Singers’ Vocal Behavior

RuthSuarezVoice PedagogyOral
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Embodying The Core Voice Connection

SarahWhittenVoice PedagogyWorkshop
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Lamperti’s Idea Of Pelvic Control Of The Breath As It Relates to Classical And Contemporary Musical Styles

NeilSemerVoice PedagogyWorkshop
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Training Expressive Singing In Musical Theatre and Commercial Music

EdrieWeeklyVoice PedagogyWorkshop
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Conceptual Metaphors about the Voice in Teacher-Student Interaction during Lyrical Singing Class

JaimeCrisosto-AlarcónVoice PedagogyOral
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Understanding the Vocal Health Awareness and the Role of Speech-Language Pathologists in Undergraduate Vocal Performers: A Pilot Survey

NizarTejaniVoice PedagogyOral
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Intentional Distorted Voice Techniques: a challenge for the concept of Vocal Registers

Rubens CostaGüthsVoice PedagogyPoster
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M1, M2 And Scream!

NicolasHormazabalVoice PedagogyWorkshop
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Demystifying Brazilian Portuguese Lyric Diction: the Sounds of the Language and the Main Pitfalls for Non-native Singers

JulianaFrancoVoice PedagogyWorkshop
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The Effects of a Breath Exhalation Regulation Routine in Collegiate Singers

ZacharyDevinVoice PedagogyOral
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Collaboration & Implementation of Comprehensive Voice Screenings and Specialist Team Teaching for Singing Students between a University & a Clinic: An Educational Case Study

TheodoraNestorovaVoice PedagogyPoster
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Vowel-Specific Tongue Adjustments in the Register Transition of Female Operatic Singers

BryanGickVoice PedagogyOral
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The Benefits of Multigenre Teaching to Adolescent Singers

LisaWillson DeNolfoVoice PedagogyWorkshop
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Prevalence of Hypermobility Among Singers: A Pilot Study

MairinSrygleyVoice PedagogyOral
Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type