Please use this searchable database to view abstract information from our 53rd Annual Symposium in 2024

Displaying 51 – 75 of 274

Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type
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A Study of Ear Dominance and its Effects on Vocal Intonation, Amplitude, and Tone

LynneCuneoVoice PedagogyOral
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A Comparison of Vocal Hygiene Habits in Vocal Performance and Theatre Arts College Students in the First Five Semesters of Their Program

BrittanyPerrineVoice PedagogyOral
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Increased Respiratory Drive In Sustained Ventricular Vocal Fold Phonation

GeddyWarnerVoice PedagogyOral
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Pre-Performance Musical Improvisation Reduces Performance-Related Anxiety and Stress in Classically Trained Vocalists

KarenLeigh-PostVoice PedagogyOral
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Is There Still a Place for “Placement” in the Voice Studio?

BrianManternachVoice PedagogyWorkshop
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Ergonomy and Muscular Dissociation: Tools to Optimize Singing Performance

FaustoCaetanoVoice PedagogyWorkshop
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Let’s Yodel: Using Register Switching to Facilitate Registration Outcomes with CCM and Classical Singers

Amelia A.Rollings BiglerVoice PedagogyWorkshop
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Pelvic Floor Health For The Singer

RebekahAnkrom-BakerVoice PedagogyWorkshop
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Pregnancy, Diseases of Pregnancy, and the Voice: An Integrative Review

RebekahAnkrom-BakerVoice PedagogyOral
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Talking About Tension: Distinguishing Primary Muscle Tension Dysphonia (MTD-1) From Compensatory Hyperfunction In Singing Training Vs. Clinical Settings

TheodoraNestorovaVoice PedagogyOral
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THE EFFECTS OF EXPERIENCED EASE OF A SINGER FROM PELVIC FLOOR-RELATED CUES

LyndseeBellVoice PedagogyPoster
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Getting Useful Feedback from a Machine; Mapping Register Limits, Overlap, Characteristic Qualities and Transitions.

PeterPabonVoice PedagogyWorkshop
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Body Awareness and Neurodivergent Singers

ThaddaeusBourneVoice PedagogyWorkshop
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Recognizing the Invisible: Singing with Postural Orthostatic Tachycardia Syndrome

MaritaStrykerVoice PedagogyOral
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Quantifying Talk-Time in Singing Instruction: Evaluation of an Automated Method

ShanshanZhangVoice PedagogyOral
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Air pressure, airflow, and glottographic measures during a raspberry SOVT exercise.

SophiaDoveVoice PedagogyOral
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Pure Sound vs. Rough Sensation: Sorting the sensations of the sung tone

ChadleyBallantyneVoice PedagogyWorkshop
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The Effect of Adduction, Pitch, Loudness, and Straight Tone on Fundamental Frequency and Airflow Vibrato

BrookeHowellVoice PedagogyOral
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Connection between fear of speaking, feeling “lump” in the throat during speaking process and emotional trauma/ memory ( associated with dominant figure from the past such as parent/teacher/partner)

VeronikaZnamenskayaVoice PedagogyWorkshop
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Interprofessional Voice Labs to Develop an Actor-Centered Voice Intervention Model: Comparing Two Student Cohorts of Speech-Language Pathology and Acting

SriNandamudiVoice PedagogyOral
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What Do My Feet Have to Do With My Jaw? Improving Habits of Stance and Alignment to Facilitate Jaw Release

RuthWilliams HennessyVoice PedagogyWorkshop
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What are voice intervention strategies? A theoretical framework about the delivery methods used in voice intervention.

ArturoFloresVoice PedagogyPoster
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Examining the Effects of Mentorship in the Applied Voice Studio from the Intersectionality of Mentor, Mentee, and Singing Student Participants

JeanneGoffi-FynnVoice PedagogyOral
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Re-Imagining the Vocal Ensemble:
Differentiated Strategies in a “Triple Treat” Approach to Learning:
Promoting Student Agency via Vocal Development and Musical Exploration

JeanneGoffi-FynnVoice PedagogyWorkshop
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Examining the Effects of Virtual Reality Room Size on Singers’ Vocal Behavior

RuthSuarezVoice PedagogyOral
Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type