Please use this searchable database to view abstract information from our 53rd Annual Symposium in 2024

Displaying 26 – 50 of 274

Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type
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How to Teach the Black American Vocal Music Aesthetic to Create Culturally Authentic Singers

AlisonCrockettVoice PedagogyWorkshop
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Acoustic and Prosodic Features in Quran Recitation with a Focus on the Recitation by Master Abdulbasit

ShamimHosseinifarVoice PedagogyPoster
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A Review of the Importance of Acoustic Features of Wet Voice Quality in Diagnosing Patients with Swallowing Disorders

ShamimHosseinifarVoice PedagogyPoster
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Impact of Cell Phone Pick-Ups on Memorization in Singing

MercedStrattonVoice PedagogyOral
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Laryngeal Response to “Support” Instruction

MarthaRandallVoice PedagogyOral
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Assigned Voice Type and Self-Esteem in First-Year Collegiate Treble Singers

AnissaPeronaVoice PedagogyPoster
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Yoga and Voice: A Somatic-Cognitive Learning Approach

KennethTomVoice PedagogyWorkshop
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Comparing Intonation and Harmonic to Noise Ratio (HNR) Using Different Arm Movements with Adolescent Estrogen Producing Singers

MadelineYankellVoice PedagogyPoster
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An Overview of Different Normal Laryngeal Shaping in Singers Overlap with Muscle Tension Dysphonia (MTD) Laryngoscopic Findings.

RazanAlosaimyVoice PedagogyOral
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VoiceVoSi: A Rapid, Efficient, and Practical Approach to Unleash Full Vocal Potential in Singing, Speaking, and Ventriloquism

ThomTuducVoice PedagogyOral
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Practical Studio Pedagogy Incorporating Recent Onset Research

KourtneyAustinVoice PedagogyWorkshop
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The Effects of Chemotherapy Treatment for Hodgkin Lymphoma Cancer on the Singing Voice

ShantellePrzybyloVoice PedagogyOral
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Cultural Responsivity in the Vocal Studio

MarianaElosúa SernaVoice PedagogyOral
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Enhancing the Phonatory System through “Sensory Bombardment” of Receptors.

RuthSuarezVoice PedagogyWorkshop
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Comparing Pitch-Matched Classical and CCM Tenor Strategies Across Their Range using Laryngostroboscopic Imaging, Acoustics, and EGG

MarkTempestaVoice PedagogyOral
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Parents’ Perceptions of and Attitudes Toward Voice Therapy

ZhongjiingPanVoice PedagogyOral
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Persuasion through Focus Groups: Helping Teachers Maintain Healthy Voices

Kenneth J.LevineVoice PedagogyOral
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Hips Functionality in Voice Treatment and Training of Treatment/Training Refractory Voices: Three Cases Study.

LuciaCossuVoice PedagogyOral
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The Unilateral Training in The Voice Studio.

LuciaCossuVoice PedagogyOral
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Hips and Sacro-Iliac Functionality In Voice Training, Limitations and Development

LuciaCossuVoice PedagogyWorkshop
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Words Production and Tone Production in High Range Voices, a Separate Functions Training. How to Train Them Separately.

LuciaCossuVoice PedagogyWorkshop
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Eccentric, Concentric, not Isometric Bodyworks and Vocalisation into the Voice Studio. When Training Differs from Singing.

LuciaCossuVoice PedagogyWorkshop
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Let it Go! Your Vocal Power, Unleashed…

AlessandraMaestriniVoice PedagogyWorkshop
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Creating ‘my own version’ of a CCM song workshop: how to teach/add vocal technique with the Singing Performance Chart ™

GalaFernandez-FresardVoice PedagogyWorkshop
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Measuring the Differences Between Opera and Musical Theatre Styles Through Spectral Moment Analysis

Violet JoyHansenVoice PedagogyOral
Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type