Please use this searchable database to view abstract information from our 53rd Annual Symposium in 2024

Displaying 226 – 250 of 274

Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type
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Comparing Pitch-Matched Classical and CCM Tenor Strategies Across Their Range using Laryngostroboscopic Imaging, Acoustics, and EGG

MarkTempestaVoice PedagogyOral
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Parents’ Perceptions of and Attitudes Toward Voice Therapy

ZhongjiingPanVoice PedagogyOral
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Persuasion through Focus Groups: Helping Teachers Maintain Healthy Voices

Kenneth J.LevineVoice PedagogyOral
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Hips Functionality in Voice Treatment and Training of Treatment/Training Refractory Voices: Three Cases Study.

LuciaCossuVoice PedagogyOral
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The Unilateral Training in The Voice Studio.

LuciaCossuVoice PedagogyOral
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Hips and Sacro-Iliac Functionality In Voice Training, Limitations and Development

LuciaCossuVoice PedagogyWorkshop
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Words Production and Tone Production in High Range Voices, a Separate Functions Training. How to Train Them Separately.

LuciaCossuVoice PedagogyWorkshop
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Eccentric, Concentric, not Isometric Bodyworks and Vocalisation into the Voice Studio. When Training Differs from Singing.

LuciaCossuVoice PedagogyWorkshop
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Let it Go! Your Vocal Power, Unleashed…

AlessandraMaestriniVoice PedagogyWorkshop
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Creating ‘my own version’ of a CCM song workshop: how to teach/add vocal technique with the Singing Performance Chart ™

GalaFernandez-FresardVoice PedagogyWorkshop
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Measuring the Differences Between Opera and Musical Theatre Styles Through Spectral Moment Analysis

Violet JoyHansenVoice PedagogyOral
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A Study of Ear Dominance and its Effects on Vocal Intonation, Amplitude, and Tone

LynneCuneoVoice PedagogyOral
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A Comparison of Vocal Hygiene Habits in Vocal Performance and Theatre Arts College Students in the First Five Semesters of Their Program

BrittanyPerrineVoice PedagogyOral
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Increased Respiratory Drive In Sustained Ventricular Vocal Fold Phonation

GeddyWarnerVoice PedagogyOral
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Pre-Performance Musical Improvisation Reduces Performance-Related Anxiety and Stress in Classically Trained Vocalists

KarenLeigh-PostVoice PedagogyOral
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Is There Still a Place for “Placement” in the Voice Studio?

BrianManternachVoice PedagogyWorkshop
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Ergonomy and Muscular Dissociation: Tools to Optimize Singing Performance

FaustoCaetanoVoice PedagogyWorkshop
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Let’s Yodel: Using Register Switching to Facilitate Registration Outcomes with CCM and Classical Singers

Amelia A.Rollings BiglerVoice PedagogyWorkshop
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Pelvic Floor Health For The Singer

RebekahAnkrom-BakerVoice PedagogyWorkshop
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Pregnancy, Diseases of Pregnancy, and the Voice: An Integrative Review

RebekahAnkrom-BakerVoice PedagogyOral
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Talking About Tension: Distinguishing Primary Muscle Tension Dysphonia (MTD-1) From Compensatory Hyperfunction In Singing Training Vs. Clinical Settings

TheodoraNestorovaVoice PedagogyOral
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THE EFFECTS OF EXPERIENCED EASE OF A SINGER FROM PELVIC FLOOR-RELATED CUES

LyndseeBellVoice PedagogyPoster
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Getting Useful Feedback from a Machine; Mapping Register Limits, Overlap, Characteristic Qualities and Transitions.

PeterPabonVoice PedagogyWorkshop
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Body Awareness and Neurodivergent Singers

ThaddaeusBourneVoice PedagogyWorkshop
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Recognizing the Invisible: Singing with Postural Orthostatic Tachycardia Syndrome

MaritaStrykerVoice PedagogyOral
Link to Single Entry Abstract Title First Name Last Name Submission Category Presentation Type