Eccentric, Concentric, not Isometric Bodyworks and Vocalisation into the Voice Studio. When Training Differs from Singing.

A workshop that is the practical version of my three Posters at the TVF 2022 Symposium, this specifically intended to the question of isometric and concentric and eccentric or plyometric during the training. Training can differ from singing, it can work on the structure of the environment in which vocal orders and functions will act. What I intend by this on a practical way, especially addressed to a medium/long term approach to voice development and singing training. My practice is since many years focused on the place in training and development of the voices in establishing different kind of vocal possibilities and the eccentric and concentric action of the muscles have a special place for synovial liquid, blood and lymphatic circulation and tissues adaptations. Voice emissions are in my hypothesis and practice different isometric behaviours in different degrees of extension/flexion or torsion of the body segments (those that in the joint by joint model of Gray Cook are defined joints, a more regional and functional definition that the kynesiologic one). From a practical point of view it is a series of strategies and exercises to obtain the potential voice we have in front in the voice studio and not just making it being proficient. It contains precise attentions when working in the eccentric or concentric, plyometric or unilateral to elicit the adaptations without any straining or excess on the tissues. The only difficulty can be seen in the fact that usually solutions are searched in a short term view, while those show their effect in longer times and are more an affect of the adaptations elicited that of a neurological higher skilfulness. The situations in which they show their functional basis is in the dysfunctional voices or partially dysfunctional, substituting function immediately show the access to correct voice production as in the cases of my other abstract.